Scandinavian Specialties
Zine/Book
2017
Wildlife Press
Preface
Digging in Sweden can be a joy. Like with any country, there is a mass of crap that you tirelessly need to flip past and learn how to block from your mind once you’ve seen their sleeves one too many times. But somehow you always find something. It might not dawn on you at first, but by the time you had crossed off the whole list of wants and spotted the cheese there is still a section left: the unknowns. That’s where taste comes in.
Without any reference points (i.e. ’have I seen this in my IG feed before?’) you really don’t know if subjecting yourself to the sound of a 1989 soca pop 12” will be your cup of tea. But it might just blow your mind, as mine has been blown and scattered across the crates of so many record stores for so many years.
For many of us, it is like fishing. You need all those hours spent in order to be there for the right moment. You can’t think of it as wasted time, even when leaving empty-handed. You gotta be zen about that shit. If you assume you know it all already, then what’s the fun of digging? And when you get that feeling that a spot has been dug through one too many times, you can rejoice - or damn your timing - by knowing that a friend might have picked out those cherries before you.
Our ever growing want list is no private concern as we sometime fool ourselves, but the result of an intricate web of past interaction and sharing. We who run Wildlife Records don’t kid ourselves to be the best in the game when it comes to digging out unplayed/unheard records. It’s not a competition, it’s a community. And we all owe a great deal of our knowledge to someone in this community. In the spirit of sharing, we’ve compiled some of this amassed knowledge in printed portable form.
This first publication from Wildlife Press features some of the texts previously written for the webshop, and focuses mainly on some of our favourite records from Sweden, Denmark and Norway (we haven’t really had time for Finland yet) which have passed through our hands. Without any unifying theme besides the geographical, you’ll find anything from forgotten private press new wave dreams rubbing shoulders with powermad synth wizards and guitar-wielding hippie couples.