According to all maps and witness accounts, Germany does not officially have any tropical forests. This is of no concern to Jan Schulte however, who has unearthed many stunning examples of tropical drum music recorded there. Perhaps the number of botanical gardens and palm houses in Germany confused musicians into mistaking the climate, or maybe it was just a happy blend of escapism and multi-cultural integration within musical scenes that spawned such a curious output of indefinable tribal folk jazz. 

The musicians involved were mainly traditionally schooled, born and raised in Germany. At that time to be interested in foreign folk music might have seemed a gimmick to some, what with the emerging "world music boom" already snowballing into the mainstream. Songs about the jungle or the rainforest made by people that know the rainforest only from television and books. Somehow I think you can hear their mythical imagination and fantasy in those tracks," he explains.

We certainly hear it in the extensive use of wildlife samples on both Tagtraum Eines Elefanten by Argile and on Wuhan Wuchang by Total Art Of Percussion. Or on the repetitive and trance-inducing drum circle re-enactments of Ralf Nowy's Akili Mali and Bob Moses & Billy Martin’s Boat Song Part II. And while Austrian band Sanza stand out with their interpretation of the traditional folk song Sounou, many of the inclusions take an avantgarde stance towards their visions of the tropics.